PHSeaFood:石韞文石陳列館發跡史


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-*文石是上天賜給菊島澎湖的寶物,根據歷史文獻記載,早在明朝清朝即有開採紀錄,乃達官貴族之專屬;日據時代始設立工廠,展開大規模的開採,並系統化行銷海內外,打響澎湖群島文石故鄉的名號。[[Image:石10.jpg|300px|right|thumb|石韞陳家位在將軍島上的古厝]]+[[Image:石10.jpg|300px|right|thumb|石韞陳家位在將軍島上的古厝]]
 +*文石是上天賜給菊島澎湖的寶物,根據歷史文獻記載,早在明朝清朝即有開採紀錄,乃達官貴族之專屬;日據時代始設立工廠,展開大規模的開採,並系統化行銷海內外,打響澎湖群島文石故鄉的名號。
*澎湖群島歷經五次以上火山運動所組成,玄武岩為主要地質結構,也孕育出全球獨有的文石寶礦,絢麗多彩的文石,生長在玄武岩氣孔之中,以紋路多變而聞名,昔稱「紋石」,後附庸風雅,正名為文石。 *澎湖群島歷經五次以上火山運動所組成,玄武岩為主要地質結構,也孕育出全球獨有的文石寶礦,絢麗多彩的文石,生長在玄武岩氣孔之中,以紋路多變而聞名,昔稱「紋石」,後附庸風雅,正名為文石。
*望安離島的將軍嶼,文石質地、色澤及紋路,都冠於澎湖諸島,其中尤以同心圓紋路著稱於世,日本人相中將軍嶼的良質美石,就在鄰近望安本島設立澎湖首間文石加工廠,引進研磨及加工技術,也就近開啟將軍嶼澎湖文石巨匠的濫觴史。 *望安離島的將軍嶼,文石質地、色澤及紋路,都冠於澎湖諸島,其中尤以同心圓紋路著稱於世,日本人相中將軍嶼的良質美石,就在鄰近望安本島設立澎湖首間文石加工廠,引進研磨及加工技術,也就近開啟將軍嶼澎湖文石巨匠的濫觴史。
*石韞文石陳列館,源自於百年歷史傳承,開山祖師為陳興喝﹙明治十年生﹚,在當年以漁撈為主的漁村社會,玩賞雅石乃被視為不務正業之徒,但興喝公不畏外界眼光,不僅鑽研文石加工技藝,並成為澎湖文石一代宗師,同時也奠定將軍陳家在文石界不朽的地位。 *石韞文石陳列館,源自於百年歷史傳承,開山祖師為陳興喝﹙明治十年生﹚,在當年以漁撈為主的漁村社會,玩賞雅石乃被視為不務正業之徒,但興喝公不畏外界眼光,不僅鑽研文石加工技藝,並成為澎湖文石一代宗師,同時也奠定將軍陳家在文石界不朽的地位。
-*第二代傳人陳清長(民國前一年生),不僅傳承父親興喝公的技藝,更發揚光大,與兄弟光娶、海山等人成為首代文石加工巨匠,同時不吝教導授徒,桃李滿天下,讓文石技藝欣賞普羅化,造就澎湖文石王國的美譽。+*第二代傳人陳清長(民國前一年生),不僅傳承父親興喝公的技藝,更發揚光大,與兄弟光娶、海山等人成為首代文石加工巨匠,同時不吝教導授徒,桃李滿天下,讓文石技藝欣賞普羅化,造就澎湖文石王國的美譽。[[Image:石13.jpg|300px|right|thumb|石韞陳家位在將軍島上的古厝]]
-*創建石韞文石陳列館的第三代掌門人陳正助(民國三十五年生),見證文石興衰至禁採的歷史,自幼秉持家訓,深感珍貴文物流失不復得,特將百年家族傳承之文石予以珍藏保存,並創設陳列館將之公諸同好,為文化遺產保存盡綿薄之力,而其累積五十年之精湛文石加工手藝,更有活國寶之稱。[[Image:石13.jpg|300px|right|thumb|石韞陳家位在將軍島上的古厝]]+*創建石韞文石陳列館的第三代掌門人陳正助(民國三十五年生),見證文石興衰至禁採的歷史,自幼秉持家訓,深感珍貴文物流失不復得,特將百年家族傳承之文石予以珍藏保存,並創設陳列館將之公諸同好,為文化遺產保存盡綿薄之力,而其累積五十年之精湛文石加工手藝,更有活國寶之稱。
*石韞文石陳列館第四代傳人陳年足(民國六十五年生) ,出生於文石世家自幼耳濡目染,對文石藝術創作與傳承深有所感,雖服務於公職,卻毅然決然投身於文石志業,傳承祖業,延續澎湖文化文物的保存。 *石韞文石陳列館第四代傳人陳年足(民國六十五年生) ,出生於文石世家自幼耳濡目染,對文石藝術創作與傳承深有所感,雖服務於公職,卻毅然決然投身於文石志業,傳承祖業,延續澎湖文化文物的保存。
*正助師的用心,讓石韞文石陳列館,成為澎湖文石開發史的歷史縮影,而其牽手郭素英及長子陳年足幕後的支持與協助,也是催生其實現文石陳列館理想的最大助力,更讓正助師感到欣慰的是後繼有人,長子年足對於文石藝術的投入,也讓百年傳承堂堂邁入第四代,延續先祖父執輩的理念「文采源流長、石藝展風華」。 *正助師的用心,讓石韞文石陳列館,成為澎湖文石開發史的歷史縮影,而其牽手郭素英及長子陳年足幕後的支持與協助,也是催生其實現文石陳列館理想的最大助力,更讓正助師感到欣慰的是後繼有人,長子年足對於文石藝術的投入,也讓百年傳承堂堂邁入第四代,延續先祖父執輩的理念「文采源流長、石藝展風華」。

Revision as of 13:43, 9 April 2007

石韞陳家位在將軍島上的古厝
Enlarge
石韞陳家位在將軍島上的古厝
  • 文石是上天賜給菊島澎湖的寶物,根據歷史文獻記載,早在明朝清朝即有開採紀錄,乃達官貴族之專屬;日據時代始設立工廠,展開大規模的開採,並系統化行銷海內外,打響澎湖群島文石故鄉的名號。
  • 澎湖群島歷經五次以上火山運動所組成,玄武岩為主要地質結構,也孕育出全球獨有的文石寶礦,絢麗多彩的文石,生長在玄武岩氣孔之中,以紋路多變而聞名,昔稱「紋石」,後附庸風雅,正名為文石。
  • 望安離島的將軍嶼,文石質地、色澤及紋路,都冠於澎湖諸島,其中尤以同心圓紋路著稱於世,日本人相中將軍嶼的良質美石,就在鄰近望安本島設立澎湖首間文石加工廠,引進研磨及加工技術,也就近開啟將軍嶼澎湖文石巨匠的濫觴史。
  • 石韞文石陳列館,源自於百年歷史傳承,開山祖師為陳興喝﹙明治十年生﹚,在當年以漁撈為主的漁村社會,玩賞雅石乃被視為不務正業之徒,但興喝公不畏外界眼光,不僅鑽研文石加工技藝,並成為澎湖文石一代宗師,同時也奠定將軍陳家在文石界不朽的地位。
  • 第二代傳人陳清長(民國前一年生),不僅傳承父親興喝公的技藝,更發揚光大,與兄弟光娶、海山等人成為首代文石加工巨匠,同時不吝教導授徒,桃李滿天下,讓文石技藝欣賞普羅化,造就澎湖文石王國的美譽。
    石韞陳家位在將軍島上的古厝
    Enlarge
    石韞陳家位在將軍島上的古厝
  • 創建石韞文石陳列館的第三代掌門人陳正助(民國三十五年生),見證文石興衰至禁採的歷史,自幼秉持家訓,深感珍貴文物流失不復得,特將百年家族傳承之文石予以珍藏保存,並創設陳列館將之公諸同好,為文化遺產保存盡綿薄之力,而其累積五十年之精湛文石加工手藝,更有活國寶之稱。
  • 石韞文石陳列館第四代傳人陳年足(民國六十五年生) ,出生於文石世家自幼耳濡目染,對文石藝術創作與傳承深有所感,雖服務於公職,卻毅然決然投身於文石志業,傳承祖業,延續澎湖文化文物的保存。
  • 正助師的用心,讓石韞文石陳列館,成為澎湖文石開發史的歷史縮影,而其牽手郭素英及長子陳年足幕後的支持與協助,也是催生其實現文石陳列館理想的最大助力,更讓正助師感到欣慰的是後繼有人,長子年足對於文石藝術的投入,也讓百年傳承堂堂邁入第四代,延續先祖父執輩的理念「文采源流長、石藝展風華」。